Livre Cimande I would like on this page to make my modest contribution to the vast literature of the perguruan Cimande. Before going into technical or historical details, I feel it is necessary to clarify some very important points. The influence of Cimande is clearly recognized in many pencak silat styles in Java and Sunda. It is important to know that most of the data pertaining to the origins of Cimande, its founder, and influences, has been handed down for centuries via an oral tradition. With this in mind it seems very unlikely to say that this -or any — version is to be considered the ultimate truth. We can only say with certainty that this-or-that version is accepted by a particular school, or a particular region, or village.
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Offensive and defensive blows using naga moves are demonstrated in detail. The idea behind the striking is also explained and demonstrated. This will really help you understand the raja naga mentality and dynamic movement in striking. There are also other interesting weapons work shown with the sword. DVD The proper use of the body and breath in P. The upper and lower body is covered along with naturally delivering your strikes, taking strikes, new training drills and much more.
This is a long DVD, over an hour and a half of detailed information. This is the first video all new students should see, right after they watch the free visions DVD.
Then watch the 11 principles, followed by the mama seated jurus and the keys to the seated jurus to get you started. All other students need to get this new dvd now to greatly improve your art. Every single student needs this DVD to put the emphasis back on the most important part of the art, lower body destruction. These principles are the building blocks of the system and you need to be practicing these principles to be truly practicing Cimande.
Click here for the pdf file on the details. These jurus are performed by Pendekar Sanders. The book describes the 15 Sera-Depok Jurus. The jurus will help your fluidity and your combat effectiveness.
At the end you are given a very rare glimpse of some of the oldest living students of Mas Jud doing some Sera Depok practice solo and with a partner as well as the basic versions of the jurus. Next you are given a demonstration of how to incorporate the Sera Depok into the rest of the art and given the key to how exactly how to blend it in for devastating results. Pendekar Sanders performs a few to Silat music to make it clearer.
At the end you are given a very rare glimpse of some of the oldest living students of Mas Jud doing some Sera Depok practice solo and with a partner. Mas Jud used a special circle drill with two people to practice various attack and defense sequences and on this DVD the exercises are shown in detail along with more explanations and refinements on Sera Depok.
This material is not shown on any of the other DVDs. If you are looking to develop blinding striking speed and close range power then these are must have techniques.
Applications are shown, of hands only, legs only, and using both together. Included also are the seldom seen Jurusan Duduk sitting Juru techniques executed with fluidity. Pendekar Sanders goes through "The Progression of Destruction," which covers joint, muscle, nerve, and energy point striking.
Pendekar Sanders demonstrates advanced strikes, which can cause joint explosion and also covers strikes, which can cause energy drainage of the opponent. The second part of the tape covers the secrets of triangular and Kilap foot movements. For those who claimed Pendekar Sanders was not ever in Cimande village, another fallacy bites the dust.
The Tarians are remnants of older silat styles that still had animal influences before they were later removed by some religions. The Tarians themselves are patterns of movement with arms and legs for balance and strength and also as a sort of moving meditation. Tepaks are a bit more combative looking but pay attention to DVD 2 at the dance near the end and you can see some nice fluid moves. While we do not require these as part of rank requirements they are very interesting and in the past only one of them had been taught but now you can see and practice them all.
Shown are lanka amapt, luk paku, meong, luga, pesek roay and salak pengkor. Included are some tepaks, tepak dua and tepak opat, tepak salancar and some dance.
Offensive and defensive blows using naga moves are demonstrated in detail. The idea behind the striking is also explained and demonstrated. This will really help you understand the raja naga mentality and dynamic movement in striking. There are also other interesting weapons work shown with the sword.
Distance Learning Arts Taught by Grandmaster William Flynn Sanders
Versi pertama[ sunting sunting sumber ] Ini adalah versi yang berkembang di daerah Priangan Timur terutama meliputi daerah Garut dan Tasikmalaya dan juga Cianjur selatan. Berdasarkan versi yang ini, Abah Khaer belajar Silat dari istrinya. Abah Khaer diceritakan sebagai seorang pedagang dari Bogor sekitar abad 17 sampai abad 18 yang sering melakukan perjalanan antara Batavia , Bogor , Cianjur , Bandung , Sumedang , dan sebagainya. Dan dalam perjalanan tersebut dia sering dirampok, itu terjadi sampai istrinya menemukan sesuatu yang berharga. Suatu waktu, ketika Abah Khaer pulang dari berdagang, dia tidak menemukan istrinya ada di rumah, padahal saat itu sudah menjelang sore hari, dan ini bukan kebiasaan istrinya meninggalkan rumah sampai sore.
List of Silat styles
Dumasar versi ieu, Abah Khaer diajar silat ti istrina. Abah Khaer dicaritakeun minangka saurang padagang ti Bogor kira-kira abad ka nepi ka abad ka anu mindeng bubuara ka Batavia , Bogor , Cianjur , Bandung , Sumedang , jeung sajabana. Dia menunggu dan menunggu, sampai merasa jeung kel dan khawatir, jeung kel karena perut lapar belum diisi dan khawatir karena sampai menjelang tengah malam istrinya belum datang juga. Akhirnya tak lama kemudian istrinya datang juga, hilang rasa khawatir, yang ada tinggal jeung kel dan marah. Abah Khaer bertanya kepada istrinya, "Ti mana maneh? Tetapi istrinya malah bisa menghindar dengan indahnya, dan membuat Abah Khaer kehilangan keseimbangan. Ini membuat Abah Khaer semakin marah dan mencoba terus memukul, tetapi semakin mencoba memukul dengan amarah, semakin mudah juga istrinya menghindar.
These arts still exist in some villages located on the Cimande River, including the village of Tarik Kolot. Today there are over variations of Cimande. Pukulan Cimande Pusaka is a full-range martial art. It includes the use of several weapons, fighting while in a grounded position, grappling and multiple opponents training. The style of fighting is distinguished by free flowing, writhing movements, off-timing, integrated footwork and draw stance strategies, a close fighting position and fast continuous hitting.